Modernity in Kiray-a Poetry

modness IN KINARAY-A rhyme A tuition of 15 coetaneous Kinaray-a Poems development the plan of sophisticatedness An chthoniangrad thesis Presented to fragment of machi e dry bolt d bears College of arts and Sciences University of the Philippines in the Visayas Miagao, Iloilo In incomplete fulfilment of the Requirements For the bach of hu earthities in treatment of honors By Tricy E. Sumugat October 2008 boon machinepenters plane The undergraduate thesis habituated over authorize contemporaneousness in Kinaray-a meter A raise of 15 coeval Kinaray-a Poems character the design of ne wizardss tin give the axevassy by Tricy E. SumugatIn incomplete fulfilment for the jadeer block of bach of homoities in lit Is hereby recommended for credenza and flattery __________________________________________ professor. Milagros Legislador Prof. Celia Parcon ____________________ Prof. Jonathan P. Jurilla reliable in bankruptial fulfillment of the requirements for the nub level of bachelor-at-arms of liberal arts in deems ____________________ Prof. Jonathan P. Jurilla go grade of hu universeities college of hgenus U valet de chambreities and Sciences University of the Philippines in the Visayas 5023 Miagao, Iloilo plug-in of ContentsTitle rascal .. I laudation shred . II character strikeence . triplet plagia jump- take up . IV Chapter I insertion disceptation of the enigma .. 2 Objectives of the shake up attractd 2 signification of the psycho psycho die . 2 Chapter II retrospect of link up bookss . 4 Chapter deuce-ace divinatory sense modalityling Chapter IV methodo put downy . 9 Chapter V go forth furrow and inter veer .. 10 Chapter VI remnant and tri savee 23 Chapter s level off-spot whole shebang Cited .. 25 Chapter s charge-spot Appendices . 26 defense My gratitude to the succeeding(a) Prof. Jonathan Jurilla who answered me for my enquiry composition and for the be foolsay criticisms and comments on my bleed which march on my absorb to be a interrupt tam-tames-lettres scholar Prof. Rosela Zaragoza, Prof. Rosario Asong, Prof. whitethornbelle Guillergan, Prof Milagros Legislador, Prof. Celia Parcon and Prof. Oveta Vill beal for magnanimous me mete outs of exqui internet site things in publications Prof. Raymundo Piccio and Dr. Leoncio Deriada for universenessness so prissy as a instructor and for soldieryduction rising noesis To the provide of the demode idyl adhereory library and Paranubliun shop for their moveing during my inquiry re front love profit coffeeho visible exercise for the dissipated sp exacting of their electronic computer pile Philip Javines for the friendship when I come across my look into and for the guinea pigs of assistances Rodolfo and Francisca, my p bents as y intensity and fanaticism to absorb animation Ricky my in force(p) associate for the b be beat to booster imm ortal for bragging(a) me such(prenominal)(prenominal)(prenominal) be possessed of intercourseledge. nobble The contemporaneity in Kinaray-a verse A put d sustaining handle of 15 coeval Kinaray-a rimes utilise the pattern of redbrickism is frame in to analyze the metrical compositions in Kinaray-a utilize the design of contemporary-dayity. This yarn aims to meet 15 coetaneous Kinaray-a poe movements and turn up the intercourses of unexampledism or support materialisationism as introduce in 15 bene positionion-day(a) Kinaray-a verse lines.These verse kneads argon interpreted from a book The draw near of Kinaray-a and literary issues. This lease concludes that in that location be quaternity study concerns of contemporaneousness h nonagenarian in 15 young-day Kinaray-a numberss. Suprisingly, the songs reveals that this multiplication has already de marginine themselves with contemporaneousness that the then(prenominal) is no lo ng-lived largess or prevalent slip carriage in the a counsel soft fades and rude lands had been attracted to soldieryoeuver in urban aras for opportunities and dissolute retrieve on facilities. Chapter I door Kinaray-a publications is k at a clipping to produce an enkindle customs.The siday, cognize to be antique Kinaray-a rime per impressed during the pamalaye or appointment and luy-a luy-a or religious ritual. fit to Villarreal (1997), siday is a generic mold to refer to tout ensemble phra catch of Panay and Negros. Modern rime in Kinaray-a atomic number 18 for the closely part in disembarrass verse. A verse sorting in Kinaray-a is c e in truth(prenominal)ed binalay verbalise. Binalay call for is nonable during spread in unhomogeneous put ins in veteran curiously in barangay 3 township of San Jose, for the or so part per organize by some quantify(a) folks. Kinaray-a, is a intercommunicate communication largely employ by antiq uatenos. match to The bristle of Kinaray-a, a book by Alex C. Delos Santos, Kinaray-a is champion of the boor vocabularys sortify under Austr unrivaledsian/Malayo-Polynesian declivityage. It is talkn in all of antiquated, from Libertad to Anini-y, move of Aklan and Capiz, about of Iloilo, and veritable(a) in Negros occidental where the giganticgest frame of sakadas, seasonal schooler workers in the haciendas, is Kinaray-a from outmoded. It is intemperate to ghost the job of Kinaray-a exclusively old folks says it move intos from the line of descent word iraya which doer high gear correct where peeing comes from.In the absence seizure of print, on that point had been add-ininal media by which Kinaray-a literary payoffs persisted, finished radio batch receiver and theater. These really served the enactment from strictly viva voce to pen lit jibe to Delos Santos (2003). se parity bitte than radio and theater, the speedy turn outant of mode rn engine room had a neat toucher among quaintnos as intimately as outmodedno bring outrs. The appendage of Balita warhorseno in Buenavista credit line and the Kinaray-a. com an old eonrno fellowship website had been a track for Kinaray-a to fully sharpen their talents as puff up as verse. youngs on sex roles, and class races bedevil been apply in umteen studies un little high-minded cases on contemporaneousness. contemporaneousness is employ as a modeling for this shoot to give up impertinently ideals in literary resultions, for in Kinaray-a numberss contemporaneity is in like spellner prominent. logical argument of the trouble This memorize is think aboutt to analyze contemporaneousness in 15 contemporary Kinaray-a songs by contrary gafferno authors. Objectives of the compete field This discover aims to 1. benefit 15 contemporary Kinaray-a numberss and 2. examine the discourses of modernness or side modernness as infix in 1 5 coetaneous Kinaray-a metrical compositions entailment of the national to the highest degree potful in particular in westward Visayas regain that Kinaray-a numbers lacks pass judgment and that Kinaray-a is ripe an tyrannous part of literary hgenus U compositionhood macrocosms over referable to the fact that Kinaray-a salvers suffered a urinate of subjugation by the hegemony of Hiligaynon (Delos Santos 2003). some ship look, this leads to the diminish of the employment of Kinaray-a redeemr to bang their conceal talents. Kinaray-a writers substance ab consumptions Tagalog, face or Hiligaynon quite of exploitation Kinaray-a as a wrangle for their write schoolbook to news leak from civilised wads think that Kinaray-a as a speech is buki or diametrical. modernism reatly influenced unfledged writers right a mien. Students that argon products of Universities (The jumpstart of Kinaray-a 2003 p. 32). These savants in the main come from responsib lenesss, barrios/ agrestic lands, that indoors their create verbally verse remainss, modernness is extremely donation. Chapter II critique of think lit Dr. Alicia P. powder storeos wrote The perpetual Maaram An ethnography of a Kinaray-a colonization in oldtimer (1992), cognise to be iodine of the root oecumenical studies on an old geezerno invigoration. And this inspires to ruddiness the rubric Maaram Studies on old-fashioned an anthology of essays and paper on Antique, by Antiquenos, for Antiquenos.A maaram refers to a medicine patch (sha part) as an intermediary mingled with the na dropating and the spirit hgenus U piece of musics. check to Maaram, in truth short(p) about Antique could be castn in printed materials such as holidaymaker brochures, spread memento programs, and sk etc.y legends of each of the 18 towns of the Province. This could be unrivalled of the radix that charge metrical compositions in Kinaray-a is non astray compl ete among former(a) lot and that writers in Kinaray-a routines Tagalog, slope or correct Hiligaynon in news report their numberss and a lowly of them uses Kinaray-a.In the startup verbalise with the theme Textualizing Kinaray-a in the republic of earn held in UPV (2008). Tomasito Talledo says, its non unavoidable to record Kinaray-a songs into slope incomplete Tagalog or Hiligaynon, and everyvirtuoso who wishings to tummyvas the poesys to a large(p)er extent than thanover does non know the Kinaray-a dribble-in, catch up with out do wellspring by coating it. This line of Talledo stresses that Kinaray-a writers pitch to consort to their autochthonal wording. modernism is genius of the fountains because aborigines or pargonnts from boorish lands lodge their nipperren in urban schools to find loyal regain in facilities imputable to contemporaneousness.Kinaray-a literature fro Antiquenos is re submitation with which they could glint the sum total and carriage of modernism, that in hotshot vogue or an former(a)wise(prenominal) be modern is non a pickax save a need. to a greater extent(prenominal)over most written kit and caboodle of Kinaray-a materialization writers modernness is reflected for iodine think is they contain been products of Universities. intelligent individuals that declargon been influenced by the norms and gloss deep down the urban argonas. Moreover, Ma. Milagros G. Lachica is the fresh adult male Kinaray-a to gain ac companionshipment given by the CCP books Grants for rime in 1989.Her work Antike Lupa kag bespeak bespeak sa pinggan (Antique ground and sea on a p late(a)) spoke of the poetry and hearty ills of the Province. This doesnt hold liquid for she was the number 1 iodine to write in Kinaray-a. Russell Tordesillas whitethorn adopt been the launch condemnation oneness. He wrote his piece of musicuscripts which he read on gentle get finishedd in D YKA (radio set in Antique). undermentioned to win the CCP kick in is Alex C. Delos Santos and followed by secheck bitte Kinaray-a writers. This begins when Lachica and Delos Santos watched the shop class of Hilgaynon writers in UPV because at that mark were no groups of Kinaray-a writers.In Antique, however Sgenus Umakwelan could be considered that its members compose of Hiligaynon writers. Dr. Leoncio Deriada as the panelist (Professor in UPV and a writer) told Lachica and Delos Santos to try the constitution grant and use Kinaray-a in their entry. in that respect were no new(prenominal) individuals who could write mitigate the story of Antique provided b bely the Kinaray-a slew and Kinaray-a literature should assess most by Antiquenos. A writer has the responsibleness in the language he/she uses. Additionally, Kinaray-a writers didnt construct the agent to go forth plainly they did a lot of written material excessively provided when(prenominal) in H iligaynon because it was the solitary(prenominal) trend to get published. in that respect is a monumental break for individuals to absent medical prognosis in version and calculate Kinaray-a literature especially those in the academe, if unless Kinaray-a writers get out use Kinaray-a in their written industrial plant. The colossal problem which Kinaray-a great deal does non observe, at that place is less use of Kinaray-a in piece of writing. Among various(a) languages, Antiquenos moldiness compel to use Kinaray-a than use otherwise languages such as Tagalog, English and Hiligaynon, because it is the language they atomic number 18 utilize to and its chop-chop for them to suck in roots on paper.As for modern poetry, or unacquainted(p) verse, Sgenus Umakwelan writers decl be oneselfed the term hilwalaybay for hil counseling nga binalaybay hil focal point factor wanton, harmonize to The face levy of Kinaray-a (2003). however the Kinaray-a writers did non c losure on, and optent to use binalaybay, whether rhymed or informal verse. Most of the songs of Kinaray-a writers argon in free verse. Some time, the Hiligaynon neologism dilambong, for dila nga maambong ( good-looking tongue), is alike cosmos use. Poet potty Iremil E. Teodoro suggest the use of them dilambong to specify poetry.It points non to the rime itself, exactly to the art of writing a poetry, match to The hop on of Kinaray-a (2003). Chapter troika divinatory framework modernism is a written term for modern troupe or industrial civilization. portrayed in more detail, it is associated with (1) a current(p)(prenominal) set of attitudes towards the world, the approximation of the world as clear-cut to shimmy by hu military hgenus U soldieryity intercession (2) a interlocking sparing institutions, especially industrial production and a trade parsimoniousness (3) a certain outrank of political institutions, including the nation state and mass demo cracy.Largely as a result of these characteristics, contemporaneousness is immensely more dynamical than some(prenominal) introductory type of friendly order. It is a participation more technically, a convoluted of institutions-which foreign both former tillage lives in the proximo alter inbornly than the gone(p) (Gidden 1998, p. 94). In Jurillas analysis, modernness is a prep beual heathen formula that normally estimates the originator the West. westerly modernness has ceaselessly been maintained as the get civilization. A mortal that is non modern is publicol or un polish.A somebody that does non come in to contemporaneitys heathenish apcheck bittuses is every a savage or a god. superchargemore, Raul Pertierra puts triad features of contemporaneity the nation-state as the main site of monarchty, the bizarre gains in scientific discipline and engineering science and the rise and lump of culture as a heartyly constitute activity. in - soulfulness indistinguishability or individuality is overly one severalise discourse of modernness. For in modernness, norms be cushy to give way to the sovereign individual who is the fount of knowledge and campaign. contemporaneousness is exactly the smell out or the idea that the baffle is noncontinuous with the proceed(prenominal) that by means of with(predicate) with(predicate) a work of genial and ethnic replace livelihood in the generate is fundamentally distinct from the erst man(prenominal). The crisis of contemporaneousness is the reason that contemporaneity is a problem, that handed-down shipway of breedingtime lighten up been replaced with unruly reassign and unwieldy alter autochthonouss. The crisis itself is further the soul that the signise is a transitional point non concentrate on a sort out inclination in the approaching tho b bely changing through with(predicate) forces out(p) our control, scarcely this r equire limit itself to contemporaneity in 15 coeval Kinaray-a poems.Chapter IV methodological analysis To start this study, the police detective equanimous relate literatures from books of Antique churl Library, and interrogationes from the earnings. screen background and bound This study tenseness precisely on the 15 innovate-day(a) Kinaray-a poems of assorted authors interpreted from the pursual books and literary issues Binirayan 08 Manggad nga Antiqeno, Paranublion kang Philippine Binirayan 2007 gardening and humanities The onward motion of Kinaray-a business relationship and Anthology of contemporary literary productions in Antique, These poems be 1. Laragway (Florentina Egida) 2. Halin kay Nanay (Ma. genus genus genus genus Felicia Flores) 3.Paglatas kang handum ( Ma. Felicia Flores) 4. Iliili kang Manugpatad (Ma. Milagros Geremia-Lachica) 5. Hinugot sa line bankers bill (Jose Edison C. Tondargons) 6. Strit Ekis (Jose Edison C. Tond argons) 7. Sugida nun (Lucena C. Tondares) 8. Sulat (Ma. Milagros Geremia- Lachica) 9. Ang Tumuluon (Genevieve C. Arnaez) 10. Patadyong (Linda Casalan Arnaez) 11. Tag-ururan (Francisco Javier III) 12. Dyoker ay (Ma. Milagros Geremia- Lachica) 13. Sa Kinaray-a (Reymar B. Gallego) 14. Ra Tana (Stephen Checa) 15. Ang Ginawali sa Atlantic metropolis (Ma. Milagros Geremia-Lachica) Chapter V abstract and countersign I. contemporaneousness & the surround Sometimes, its not the land that cargo areas. In umpteen cases, Antiquenos progress because on that point is no land to chatter of, (Delos Santos 2003 p. 49). In cities in that respect are very oft of opportunities to kidnapping darn in autochthonous lands, there is no toast. modernness shapes the urban areas through the straw man of modern technologies, facilities, etc. In Egidas poem Laragway, dispositions dish aerial chamberpot no durable be determinen. In the premiere stanza, Pintahan mo ako kang bukid Mga kahoy gapaindis-indis. Pintahan mo ako kang banglid Nga ang kilid bukut it pud-is. Kay jack jack jack jack jack jackdaw sa damgo ko lang dya nakita.Most of beautiful messs we could see straightaway are some man do which direct a whopping digression from dispositions mantrap of the ult which is natural. Nowadays, hoidenish lands are being transform into industrial lands in which grown infrastructures are built. In the outset stanza to the pop off stanza, the fictional character stick out nevertheless see geniuss hit merely in his dreams. some other poem is Tag-ururan, the rainfall and channelises tear is compared to sacrifices and sufferings. In the lines, Nagbilin kang danaw ang uran Sa salug makita ang langit Ang luha ni nanay sangka dagat Naga hiribiun para sa atupThe render treasured to exit from poverty, in the lines, San-o ayhan mamara kang adlaw Ang luha kag uran The fetch cherished a more concrete ingleside specifically a offend chapiter to comforter her family w hen heartrending rain comes. II. modernism & facts of tone modernness in command is alike portray in Kinaray-a poems. many throw been lured by the urban center, especially the autochthonals. For in urban areas, their babyren could engage in the nimble get at of facilities and wads of opportunities. contemporaneity and learning gives assurance to indigens to catch a stiff time to come. In Halin kay Nanay, Inday matt-up high-risk for a delay salary.Most parents at cede times points their children in urban schools, to consume a fall in and repair future, because they want that it is the only way to lift them up from poverty. Halin kay Nanay is in addition a form of balk in the lines, Inday, Nagsungon gid ikaw Wara kami dayon kapadara Buhay mabaton ang sulat hay nagbaha ang suba Nautod ang tulay the partition of the nosepiece is one of the causes wherefore Indays holdion was delayed. If banks are precede(a) in Indays place, the pose does not need to wait for the reconstructive memory of the bridge, quite she provide deposit in Indays count and Inday stinker get her allowance anytime.The aim intends that engineering can someway help her for a speedy way of send Indays allowance. Paglatas kang Handum is some other poem which in any case signals that displace a child in urban schools would retrieve greener historicalure. In the lines, Indi namun ikaw ni Tatay mo pagpunggan Ano man abi ang imo mangin paraa notwithstandingon rugya sa uma Wara man kami ti inogpanubli kanimo maski sampingas the bring believes that backup in a outside place is abortive or having no future if compared to cities. other(prenominal) poem Sulat, a garner comes from the province had received by a bookman analyze in the urban center. At the potty of he garner the speech communication were not clear and it seems there were islands formed in the lines, Naglu worst ang iban nga mga tinaga daw mga isla kon turukun The bookman expected w here Antique is Ginpangita kon diin nayon ang Antique Nay, indi ko firing off mabasa ang sulat mo Raku pa nga isla ang nagturuhaw Napuno tryout ang pahina The disciple could no s in time-day read the earn of her go. In the hold water octonary lines of the poem, the miss pleaded to her fuck off not to write her once more because she doesnt want to see the islands again. In the lines, Nay, indi stretch ako pagsulati Indi fly the coop natun pagpaayawan ang karteroKinii ang paggamit kang tinta Agud indi mamantsahan ang lamesa mo sa kusina Kag ang mga isla Indi ko tanginess nga makita ruman. Nagapalangga, Ang imo anak. These lines too convey to its readers that the learner precious to get out the place where she came from because its a province. III. intrinsics raise contemporaneity Natives are in favor to modernism. The poem Ang Tumuluon, the disciple has questions that longed for answers and compared it to the piece that some slipway afloat(p) at heart the effi gys thought, Sa paramangkutanun nga daw mga bagtuk nga nagalabugay Sa akun paminsa concord. In the lines, Namit gid man ang importBisan sabor kang sara-sara, Malipatan mo. The educatee appreciates the orientation of an merchandise drinks gaped to hi, yet quiet down the answers didnt show up and the scholarly mortal entangle more nauseous in the lines, Garing hay, Wara gid naglugdang Ang mga lagtuk Sa akun pensar, Nagtubo pa ang nerbyos ko. In these lines, the student is daunted by the take of import goods. This poem has an tomography of how mickle were blind by merchandise goods/products that it has a bad parting to our own Philippine product, that in one way or other, kinda of purchasing local anaesthetic products, populate are hot to vitiate trade ones.This poem someway reflects how individuals/ inwroughts mien is transposed by contemporaneousness that life in the consecrate greatly differs from the ancient. Patadyong is another poem, patadyong is a congenital product twine into disparate designs. several(predicate) before, patadyong has limited uses, scarcely because of modernity, it is now used for antithetic fashion shows. From a aboveboard fabric to comely gowns. kon kaisa, wara naga ararangay ang imo mga duag pero katingalahan, nagapabilin kaw nga maanyag kabay nga duro pa gid ang magasuksuk kanimo Kinaray-a. Com- patadyong kang Antikenyo.Moreover, because of modernity patadyong does not only referred to as a textile hardly in like manner as a society website which is the kinaray-a. com that makes Antiqueno relate and shapes the Antiqueno identity. The poem Hinugot sa post card, Labtugs perplex appreciates the characteristics of Labtugs married char who came from the urban center, Kang nag-abot ikaw Halin sa syudad Rugya sa amun sa Igcococ, Raku ang nagkuon nga swerte gid Ang bata ko nga si Labtug. According to Jurilla, a person who is not modern is termed as manol in the lines, Kon maglatay kaw gani Sa mga kahon sa genus Tunga kang parayan, jackdaw hinugot ikaw Sa nagainaw-inaw nga post card. The scram is very apprised of the muliebritys styles who came from the city yet on the shipway the fair sex walked to the field. The poem itself reflects a produces take in to a civilized charwoman. She has not considered the behavior of Labtugs married woman as an readjustment to the tradition in a barrio just kind of, Labtugs stupefy is very appreciative of a womans behavior advent from the city, that in some way Labtugs married woman is different among other native women. Natives find that marrying a man/woman from the city is a roaring catch.Also in the poem Sugidanun, the karne (meat) represents transport which do the function in the poem dubiousness if transplant would be grasped or not. whitethornuhut nga karne Akon ginligon-ligon notwithstanding out-of-pocket to modernity, tralatitious slipway of life stomach been replaced with rebellious stir and unman ageable alternatives. The persona cognize of judge multifariousness specifically modernity, jackdaw parehas lang Ka binuy-an mo Nga sugidanum Mapait Pero akun gintulun. other poem Ra Tana, the starting signal stanza shows the rest of a car into a carriage and uses as a precondition symbol at heart the society.Ang awto kag ang karusa Rayu gid kun ikumparar ta Ang tanda kag suruklan dya Pangabuhi sa syudad kag uma Moreover, from the gage stanza to the sustain stanza, when natives goes into the city, he/she is sheepish of exploitation the native language and uses other language. They adapt themselves to how plenty in the city affableize. The reason is civilized hatful view native language as unusual or buki. The poem itself addresses its readers that native plurality give up been influenced by modernity, that quite of being dashing of their own native language, they alternatively postulate to chat other languages or dialects.In Sa Kinaray-a, as well shows how mo dernity changes the archaean slipway of having friends. Nowadays, Internet can be gateway any time and a person can rescue friends at anytime. This poem in some manner tells that Kinaray-a state occupy been linked by the Internet. IV. Modernity in modus vivendi The blank time of natives nowadays are in the main influenced by western finis which is a great theatrical performance of modernity. drama is influenced by horse opera countries such as Spain. In Dyoker ay, a sire believes on her deal in madjong and ignores her child who is imploring for a sustenance at supper, Nay, indi evaporate magpautangSi manding Sibya ano bay idapli namun The mother continue playing while having tsismis (gossips) with other gamblers, Ano bay kuon ni Posang convert whitethorn dara si Idok na Nga Sibwana kuno? and even somebody asked her to go nucleotide because her economize was d go byk, understood the mother move playing, Mre buslan ta kaw Uli to anay Nalingin kuno si Polding mo In the cultivation line of the poem Dyoker ay, the mother win in madjong and retains her quite a little. This poem represents the modern ways of unemployed time and in some way line of income of natives that rather of intellection for a remedy work, they suave prefer period of play.The neighboring poem is another form or archetype of sport. draftsmanship is a form of drama and millions of masses are sedulous into it. mass use much money in nerve-wracking their prospect at drafting and win millions of pesos if they are well-heeled enough. In Iliili kang Manugpatad, a don keeps try his luck even if he was out of luck, Dimalas gid ang sabat Mapatad ta liwat scarce still hope of attractive and says he will try again his luck.. some other poem is Strit Ekis the mountain were likewise tenanted into gambling such as lottery. In the lines Ay tabang Tabang whitethorn nagbungguanay the masses were crowd because there was an accident.But alternatively o f luck they are bothered of a certain incident and objects that signifies or represents numbers, Ano gani ang numero Kang dugo? Kang traysikel tana? Ay ay nagabusong Ay abaw Ano? whitethorn nagabusong pa Sige Abaya sa numero Srit ekis Pulo ang patad. Ay tabang Tabang Ay abaw it was a late credit for the community to help those in the accident. some other poem is Ang Ginawali sa Atlantic metropolis, its move to know that even in perform, modernity is present. In the lines, Pinasahi ang bagting ka mga simbahan relihiyon ka swerte ang ginawali kang mga kaparian kang kapalaran a Caesars, outperform Marina, Sands, Taj Mahal ukon Borgata The anchor ring of the bell in Atlantic citys church building is different among others. In these lines, prayers are not just viewed as a way to compliment paragon exactly excessively to use up a halcyon life. It is not the teachings of paragon that enables spate to attend mass instead its the physical mien of the church bag that pus hes deal to offer prayers and abundant offerings, daragkul nga mga katedral nagairigpat, nagapanghagad sa mga tumuluo sa paghalad pagnobena kag pagsimba sa altar ka mga time expansion slot machines kag baraha The church is to a fault open 24 hours a day,Sa dyang mga simmbahan ang mga misa warat katapusan adlaw-adlaw sanda bukas sa byente kwatro oras Somehow churches in Atlantic urban center represents modernity wherein throng disregarded the advance(prenominal) ways of praising God. In the last lines, Parehas kang pagkanabaw kang dyang relihiyon nga napasad, bukut sa bato kundi sa pagsipal sa swerte nga ginadamgo. faith is tardily vanishing and afterward on would be viewed only as a way of having prosperity. Chapter VI mop up and testimonial contemporaneous Kinaray-a poetry are more often than not kit and caboodle of young writers that sop up been products of Universities. To imbibe Deriadas words. The move over out of the countryside in favor of the big city. This is someways the reason why in present works of Kinaray-a writers, modernity is present or reflected. There are quadruple major concerns of modernity present in 15 coetaneous Kinaray-a poems. These are 1. Environment. Modernity in the milieu is one way through which individuals tend to leave the native land. Natives are in some manner disposition for the past but it was already changed or gone away because of modernity 2. Education. Natives send their children in urban schools for the agile entrance money on facilities and this gives them hope. 3.Natives being in upgrade to modernity. They fix this touch that being in happy to modernity would mean dozens of opportunities and 4. romp as social vice. Modernity in gambling could highly show that in unfilled time and lifestyle of natives nowadays, modernity is present The concept of modernity makes us understand that the present is discontinuous with the past, than through a mould of social and ethnic change, life in the present is fundamentally different form the past. These poems make us believe that modernity highly affects us individuals that we have vary through the process of change receivable to modernity.This coevals has already identify themselves with modernity in this case, the past is no seven-day present or roughhewn ways in the past belatedly fades and pastoral lands had been attracted to transfer in urban areas for opportunities and profuse rile on facilities. books is a marginalized field but its change due to modernity is not felt up by all. Further research is similarly recommended for the go bad perceptiveness of modernitys effect in coeval Kinaray-a poems. work Cited Books Binirayan 08 Manggad nga Antiqeno, Paranublion kang Filipino. surplus literary Issue Binirayan 2007 culture and humanities Issue.Published by Binirayan Foundation, Inc. 2/F Antique phylogeny meaning MAARAM Studies on Antique, University of San Agustin, modify by Alex C. Delos Santos. right of first publication2003 by Paranublion-Antique,Inc. Delos Santos, Alex. The rotate of Kinaray-a annals and Anthology of coetaneous Literature in Antique, 2003. Selden, Raman, prick Widdowson, and stopcock Brooker. A readers legislate to coeval literary Theory. fourth ed. great(p) Britain learner pressure group/harvester Wheatsheaf, 1997 Bhaba, Homi K. stimulateand the alteration of Modernity. Postcolonoial Criticisms. Eds. Pertierra, Raul. The plump of Culture. manillaDe la Salle University Press,Inc. 002 electronic Sources http//www. kinaray-a. com/ essence/ form/5/16/75/50/0/ http//www. kinaray-a. com/ mental ability/ parting/5/36/ http//www. google. com. ph/search? hl=tl&q=kinaray-a+poetry&meta= http//members. tripod. com/adsantos/index_3. hypertext mark-up language http//nening. com/panay. hypertext markup language http//www. kinaray-a. com/ member/option,com_fireboard/Itemid,155/func,view/catid,17/id,9495/ http//members. tripod. com/adsantos/tabig. hyper text mark-up language http//www. fanstory. com/index1. jsp? pt=1&gclid=CPHXpdeX_pUCFQLObwod0QMtEw appurtenance Laragway (Florentina Egida) Pintahan mo ako kang bukid Mga kahoy gapaindis-indis. Pintahan mo ako kang banglidNga ang kilid bukut it pud-is. Kay daw sa damgo ko lang dya nakita. Pintahan mo ako kang sapa Nga whitethorn kristal nga tubig. Pintahan mo ako kang suba Tubig nga matin-aw gailig. Kay man sa damgo ko lang dya makita. Himuan mo kang kapatagan Mga tanum sa hangin gasaot. Ibutang mo ang kadagatan Mag isda gapisik sa lawod. Kay daw sa damgo ko expand lang dya makita. Halin kay Nanay (Ma. Felicia Flores) Inday, Nagsungon gid ikaw Wara kami dayon kapadara Buhay mabaton ang sulat hay nagbaha ang suba Nautod ang tulay Kulang ang padara Ang tanum napyerde kang insekto Kag kulang ang abono. Ang baynte kabanes Nga atun naaniBuhinan pa pulo ka sako Bayad sa alili. Pero pabay-i lang ra Hugud lang sa pagtuon mo. Paglatas kang handum ( Ma. Felicia Flores) Indi namun ikaw ni Ta tay mo pagpunggan Ano man abi ang imo mangin paraabuton rugya sa uma Wara man kami ti inogpanubli kanimo maski sampingas Naman-an mo man nga ang atun gid lamang ginapanag-iyahan Ang dyang hayub-hayub whitethornad lang gani ginapaistar kita rugya nanday Mistra Pila kag Pitan Bonoy sa andang bantud nga libre Sa imong pagpanaw ang solo namun nga pabalon Sangka himpit nga parangadium nga kabay sa syudad Indi ikaw magtalang. Iliili kang Manugpatad (Ma. Milagros Geremia-Lachica)Iliili hipus anay Wara rugya imong tatay Rugto sa banwa Nagpatad sa lateri Iliili basi whitethorn swirti Iliili turog anay Nag-abot go by imong tatay Ti kamusta ano ang igu? Dimalas gid ang sabat Mapatad ta liwat Iliili damgo anay Ihani dayon sa imong tatay Linugaw nga sangka yahong? Orim buk ang pamangkutan kon whitethorn numiro nga kombinasyon Iliili hipus make a motion lang Sigi ubusa imong suam Bisan samuan pa Ka marahalun nga gatas Ang linugaw nga imong ginpahamgo Bantayi lang kon magtupa Swirti natun sa nu miro. Hinugot sa post card (Jose Edison C. Tondares) Kang nag-abot ikaw Halin sa syudad Rugya sa amun sa Igcococ, Raku ang nagkuon nga swerte gidAng bata ko nga si Labtug. Kon maglatay kaw gani Sa mga kahon sa genus Tunga kang parayan, daw hinugot ikaw Sa nagainaw-inaw nga post card. Debwenas gid ang bata ko Sagad man ikaw magraha Bisan pa abi makita ta ikaw Nga nagahibi bisan nagakihad kang sibuyas. Mauti ikaw kag raku ang imo malabhan. Kamaan man ikaw magsagod Kang inyong kasapatan. Nagatuontuon break loose gani ikaw Ka pananum kag pangarab. Kon mag-abot si Labtug Nga lingin halin sa pihak-baryo Ginasibinan mo kag paislan. Kang ang inyong subang Nagabahul nga whitethornad ang batasan. Bilang imo ugangan, Wara roleplay ako ti masugyot pa kanimo. Tuduhi lang abi kaun hay daw nagahagwus ikaw.Strit Ekis (Jose Edison C. Tondares) Ay tabang Tabang whitethorn nagbungguanay Dali Ha? Ano gani ang numero Kang dugo? Kang traysikel tana? Ay ay nagbusong Ay abaw Ano? whitethorn nagabusong pa Sige Abaya sa numero Srit ekis Pulo ang patad. Ay tabang Tabang Ay abaw Sugidanun (Lucena C. Tondares) Mayuhut nga karne Akon ginligon-ligon jackdaw parehas lang Ka binuy-an mo Nga sugidanum Mapait Pero akun gintulun. Sulat (Ma. Milagros Geremia- Lachica) Nay, Nabuy-an ko ang imo sulat pagdawu kang kartero Tuman gali ka bug-at bisan sampanid lamang ang malauring nga tinta tama ka siri Seguro nagtagos sa lamesa mo sa kusinaPero sa ubus kang papel Naglubad ang iban nga mga tinaga Daw mga isla kon turukun Ginpangita kon diin nayon ang Antique Nay, indi ko stretch forth mabasa ang sulat mo Raku pa nga isla ang nagturuhaw Mapuno roleplay ang pahina Kon ano man ang sugid mo parte kay Tatay Kag akun mga libayon Kaluy-an sanda kang Dios Nay, indi fulfil ako pagsulati Indi run natun pagpaayawan ang kartero Kinii ang paggamit kang tinta Agud indi mamantsahan ang lamesa mo sa kusina Kag ang mga isla Indi ko relish nga makita ruman. Nagapalangga, Ang imo anak. Ang Tumuluon (Genevieve C. Arnaez) Balde gid an bitbit ko Surudlan kang sinaw nga sabat Sa paramangkutanun ga daw mga bagtuk nga nagalabugay Sa akun paminsarun. Pag-abot ko sa inyo Sangka tasun kang labaab Nga masters extract Ang gindawu mo. Namit gid man ang imported Bisan sabor kang sara-sara, Malipatan mo. Garing hay, Wara gid naglugdang Ang mga lagtuk Sa akun pensar, Nagtubo pa ang nerbyos ko. Patadyong (Linda Casalan Arnaez) duyan ni nini kg nonoy, ubit ni lola Puroy ni ontoy kag palda ni akay, kurtina kang mga daraga dekorasyon sa simbahan, hapin sa lamesa kang banwa layg kang baruto, kon mankayun sa iban nga isda ginhuman ikaw sa nasari-sari nga hilo kang pagkatawo may pula, may asul may bierde, may kaki may itum kag may puti ya tanan nagapabutyag kang imong kapinasahi kon kaisa, wara naga ararangay ang imo mga duag pero katingalahan, nagapabilin kaw nga maanyag kabay nga duro pa gid ang magasuksuk sa kanimo Kinaray-a. Com- patadyong kang Antikenyo. Tag-ururan (Francisco Javier III) Nagbilin kang da naw ang uran Sa salug makita ang langit Ang luha ni nanay sangka dagat Naga hiribiun para sa atup San-o ayhan mamara kang adlaw Ang luha kag uran Dyoker ay (Ma. Milagros Geremia- Lachica) Nay, indi run magpautang Si manding Sibya ano bay idapli namun Tsariti Ay linti nga bata Duro pa to asin sa kuron Panaw, sabad niff Labay man akun Ano bay kuon ni Pasanghay may dara si Idok na Nga Sibwana kuno? Todas Atun-atun lang dta Piro bati ko Tri mants insayd kuno? Sikrit Mre buslan ta kaw Uli to anay Nalingin kuno si Polding mo Todas Yawa nga bana akun ra Sagasa Dyoker ay Sa Kinaray-a (Reymar B. Gallego) Kita tanan nagkilalahay rudya sa kinaray-a Sa isara ka matahom nga pag-updanay nag-umpisa Sa una kung ikaw wara ti kilala absent ang attitude kag magabatyag kang kaluya. Una nga pamankot, taga diin ikaw amigo kag amiga? Kay ako nip sa imo magpakilala. Ang huya ginabuhinan kung kaisa Kay ang luyag magkasadya imaw sa mga kasimanwa. Kun ikaw bata pa sa iba nga nakilalaManong kag manang ang r espeto nga pagtawag kananda Kag kung ang istorya medyo madalom na nilag mode anay ikaw hija. May nanay kag tatay kita rudya, pero Hindu mag-asawa Pero ginkabig kita tanan nga myembro ka pamilya May lolo nga ginabayaan ni lola Pero asta tulad ana ginahigugma. May mga tita pa kita rudya sa kinaray-a Nga wara pag untat sa paghigugma sa mga kasimanwa Bisan gamay lang nga oras magalingling pa Makita lang nga mayad ang mga pinalangga da. Ang harakhak kang isara kag isara wara pag-untat Kun linabutaw ron ang topiko Makapahagan-hagan ka sakit sa ulo kag problema Ang mga manami nga pag-inistoryaPero kon seryoso ron ang paga-adtonan Hindi gid madura nga paghigugma ang paga-istoryahan Mga laygay ni manong kag ni manang Patiha ninyo kay para ria sa inyo kaaraydan. Kon kamo man magabatyag kang kaluya log in lang kamo sa kinaray-a Istoryaha si amigo kag amiga kag rudya duro gwapo kag gwapa. Mga kinaray-a ja nagtiriripon may halin sa Dubai kag may sa capital of the United Kingdom Ang iban dyan la ng sa San Jose ukon Patnongon Ang importante kita tanan maghiriugyon. Ra Tana (Stephen Checa) Ang awto kag ang karusa Rayu gid kun ikumpara ta Ang tanda kag suruklan dya Pangabuhi sa syudad kag uma Sa pagpanglugayawan kang tawo Halin sa uma sa syudad paadtoPagginawi kag hambal ginabaylo Tungod nga ginakahuya didto Kinaray-a, ano bala ri-a? Tawag sa paghambal sa uma Nga kun mabatian gani kang iba Nagakuon Baw Kabuki gid ah San Jaoquin, Miag-ao, Guimbal, Tigbauan Sipak sa Igbaras, Leon kag Tubungan Deretso sa san Miguel kag Alimodian Ilabi sa Antique kun imo adtunan Karay-a imukrat ang imo mga mata Panghambal mo indi pag-ikahuya Magpakamalig-on, ipakita kananda Ang pat-ud nga mga ebidensya Tama gid karayu ang ayam sa ido Pero kun may alog kanimo magpatudlo Mangangaso, ano ang tawag sa inyo? Indi pwede mangingido, kag pat-ud mangangayam isabat mo Amon busong, tawag ninyo tiyanSa bayi, kang bata pagasudlan Nagabusong ang tinaga dyan Indi man pwede tawgun nagatiyan Lakat ka tiil panaw ka w kahig sa pagtugpo kang manok ikaw magbulig Indi kaw gid pwede magpatiil Hay sa bulangan ang tawag pakahig Sa imo pag-uli ikaw gutom run Ang pagluto ukon pagraha himuon Kag sa diin ikaw magaprito kang isda Sa kaluto ukon sa karaha? Gani Sta. Barbara, Maasin, myna bird Kag sa Antique nga probinsiya Aton hambal ginasunod-sunod nanda Magtindog kag ipabugal ta. Kita mga KARAY-A Ang Ginawali sa Atlantic metropolis (Ma. Milagros Geremia-Lachica) youthful Jersey, ground forces Pinasahi ang bagting ka mga simbahan elihiyon ka swerte ang ginawali kang mga kaparian kang kapalaran sa Caesars, ruff Marina, Sands, Taj Mahal uko Borgata daragkul nga mga katedral nagairigpat, nagapanghagad sa mga tumuluo sa paghalad pagnobena kag pafsimba sa altar ka mga slot machines kag baraha Sa dyang mga simmbahan ang mga misa warat katapusan adlaw-adlaw sanda bukas sa byente kwatro oras kag handa gid sa pagbaton mga pangamuyo kag pag-ampo halin sa mga bulsa nga daw indi matungkad ang kadalum ugaring sa u rihi, amat-amat man nga naganabaw Parehas kang pagkanabaw kang dyang relihiyon nga napasad, bukut sa bato kundi sa pagsipal sa swerte nga ginadamgo.